I'd be interested in seeing the update.
There are things to consider like the gradient being difficult if not impossible in all situations.
I can't get over the fact I don't like the logo. But it's just my humble opinion. And it's a stark reality when presenting options to clients that they just turn and say they hate it.
Which has happened to me. And I filed it away and reused it later on and the client loved it.
Every now and then you won't get critic like you want. And if you are just looking for a thumbs up then I can't help with that.
What I can tell you from twenty five years in prepress, design and print, and be creative director, that this logo so far didn't wow me. And I was hit with a feeling of dread for production.
For instance, the stationery will be printed on 120gsm uncoated for compliment slips. And 350gsm silk for business cards.
Two different stocks will produce different colours. And a careless printer or a print broker that outsources will end up with different variations of color.
Let alone banding issues.
Embroidery, large format, digital, litho, flexo, screen printing, and many other ways the logo will be used will make it difficult to work with.
I'm not saying that gradients can't be used in logos. Very famous brands have gradient logos.
But those use gradients to accent good logo design. You've used a gradient to hide the weakness in your design. The gradient shouldn't be the focal point. It should be for a bit oomph to enhance the design. Not the design focal.