a decent framer will suggest a few things - all depends really what you think you might do with the print in the future;
1 - they will flatten it under weights for a while
2 - mount it behind card - the print is just attached with small tape to card and held in place via pressure with the frame...
I've used these people before for some model stuff i did for a client - Hattons.
This should take you their 'trees' section - ehattons.com from Hattons Model Railways
Good luck with your project !
If you are serious about music photography, beg, borrow or steal a camera that shoots well at a high ISO and forget about flash. I use Nikon D3 and a D700 – and concentrate on local gigs and do it every night of the week. Have a little Google for Danny North – he is one of most successful...
With all photography, it is down to what licence of usage you buy / obtain - beyond 'royalty free' (ie the cheesy US stuff you buy for a couple of dollars) it is called 'rights managed' and split into two distinct groups: advertising and editorial.
Advertising, as the name suggests allows you...
Not even sure if that is the right job title. Basically one of my clients is asking advice about hiring someone to look after their social media, web content etc of a small annual festival organisation in the the north-west of England.
Any ideas what salary they should be looking for, and how...
For small items for product shoots a light box / cocoon is the way forward - cheap and as above says use a light source either side and you are good to go.
For bigger items you will need a background support and either fabric or paper rolls - i use sonething similar to this - Calumet Background...
All the above answers your question - an easy way to play about with this is set your camera to A - aperture priority and set it at a low figure F2.8 is probably the setting of the football example - most cheaper lenses and cameras probably go to F4.5 approx. Then let the camera set the shutter...
The first couple are funny and i would show the couple - the second two i would delete as the one with the hairy guy isn't funny to me and the last one has been set up by the photographer (taking the pi$$ in my mind)
I undertake a handful of weddings a year and they are by far the hardest commissions for me (I mainly do PR, event, editorial and press stuff, so well used to working with people).
Not a lot to add about the guy's work - absolutely shockingly bad.
Anyway below is one of my favourites from a...
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